A string quartet played with professional serenity, wearing that particular expression musicians learn when rich families use public space for private warfare. My mother, Diane, loved this ballroom because its marble floors and ornate walls turned anyone standing beneath the lights into a figure of consequence.
She liked places where a person’s wealth entered the room before their voice did. Brianna had said she wanted a high-society wedding, though I suspect that desire was planted in her mind so early she mistook it for her own.
By the night of the reception, the event was exactly what Diane believed a wedding should be: a display of lineage, alliances, and properly curated tenderness. There were three hundred guests, including board members, law partners, and women from Rittenhouse Square who communicated moral judgment through jewelry selection alone.
I spent the first half of the evening at the edges of the room, moving in and out of visibility as I had trained myself to do since adolescence. I congratulated the bride, smiled for photographs, and answered questions about my career with neutral competence.