After I hung up, I stood in the kitchen staring at the counter as if it contained instructions for what people do next. Drink water. Breathe. Scream. Cry. Instead, I made toast. Lucy didn’t eat any of it.

Then, finally, my phone rang again.

Mom.

I watched the name on the screen for a long moment. A younger version of me would’ve answered immediately, heart racing with hope that this would be the call where she said, Oh my God, Anna, I’m so sorry. Are you okay? Is Lucy okay? We made a terrible mistake.

I answered anyway, because hope is stubborn even when you know better.

“Hi, sweetheart,” my mother said, voice soft and syrupy. “How’s Lucy doing?”

There it was: the performance voice. The one she used when she wanted to sound like the kind of mother people approve of.

“She’s shaken,” I said. “But she’s okay.”

“Oh, thank God,” my mother breathed. “See, she’s fine.” A beat. “I told your father you’d call the police over nothing.”

“I didn’t call the police,” I said, my voice flat. “A stranger did because Lucy was alone.”

“Well,” my mother laughed lightly, as if we were discussing a child who’d gotten lost in a grocery store for thirty seconds. “You know how dramatic children can be.”