For ten years, Nathaniel Cross existed like a shadow inside his own mansion.
Crosshaven Estate stretched across the cliffs overlooking the Atlantic, all limestone arches and iron gates—yet none of it mattered. Not the billions. Not the empire built from steel, ports, and coastal cities. On this day, every year, the house became a mausoleum.
It was the anniversary.
Ten years since a small hand slipped from his grasp in a crowded seaside park.
Ten years since his four-year-old son vanished without a trace.
Nathaniel stood before the marble fireplace, motionless. Above it hung the portrait—Lucas Cross, smiling, curls dark like his father’s, eyes bright with his mother’s warmth. In the painting, the boy clutched a wooden sailboat. The artist had captured something fragile and alive.
Something the world had stolen.
A soft shuffle of footsteps broke the silence.
Nathaniel’s jaw tightened. He had given orders. No interruptions. Not today.