Yet the moment I step into the conference room at Harlan & Pierce, I understand with sickening clarity that this gathering was not designed to honor Margaret Caldwell. It was designed to stage something. A reveal. A collapse. A spectacle in tasteful lighting and expensive legal stationery.
The room is too cold, the air carrying that stale blend of coffee, carpet cleaner, and paper that always seems to cling to law offices. The long mahogany table gleams under fluorescent lights. A framed print of the St. Louis skyline hangs slightly crooked behind the head chair, and for one absurd second I want to straighten it, because if one thing in this room can be corrected, maybe the rest can too.
Then I see Ethan.
Then I see her.
Then I see the baby.
And suddenly even the idea of straightening a picture frame feels like something from a different lifetime, a task belonging to a woman who still believed betrayal arrived with warning labels and enough decency to wait until after a funeral.