Seattle was nothing like home. It was vast, electric, full of noise and speed. I majored in design and business, splitting my time between sketching models and analyzing market reports. To cover living costs, I worked as a part-time barista, then as a layout assistant at a small magazine, and finally as a freelance illustrator. There were weeks when I slept four hours a night, but I didn’t mind. I was learning how the creative world worked—and how fragile it was.

After graduation, I joined a design startup run by two brilliant but reckless founders. For a year we lived on instant noodles, pitching to investors who never called back. When the company folded, I thought I’d failed.

But failure, as I would later learn, is just tuition for the lessons no school teaches.

I took my last paycheck, barely enough for rent, and started freelancing again. I rented a two-thousand-square-foot studio space, set up an old MacBook on a folding table, and began taking small projects—poster designs, app icons, packaging mockups. It wasn’t glamorous, but it was mine.